Paper is for drawing, wrapping, wiping, absorbing, sketching, crumpling, covering, tearing, soaking up, writing, throwing away.
But paper can be a beautiful and radical material for clothing; in longstanding cultural histories throughout Asia and the West and as a tool to critique the disposability of fashion.
This practice explores all the things that paper can offer as a material for design at the intersections of history, aesthetics, and function.
DNJ PAPER is a collaborative research project and micro-label situated in Melbourne, Australia, and is led by designers Daphne Mohajer va Pesaran and Jake Nakashima-Edwards. The project employs a range of techniques, both traditional and nontraditional, to create paper clothing, accessories, and objects. Its creations aim to address contemporary fashion and textiles practices by responding to pressing social, aesthetic, and conceptual questions.
We employ handmade recycled rag paper, produced in our studio, as well as handmade Japanese paper, also known as washi. The washi is sourced from small studios located throughout Japan, and each sheet comes with comprehensive information on the conditions of its production.
Our pieces are considered a work in progress, never fully "finished," and are designed to evolve over time. The intention is to allow for wear and eventual repair, resulting in pieces that are truly unique and reflect the values of the project.
Wherever possible, we reduce, reuse, regenerate, and recycle.
To buy a DNJ piece, please have a look at our shop, or visit one of our stockists.
Melbourne, Australia
Craft Victoria
Adeliade, Australia
a flat shop
London, UK
STORE STORE
Contact
Daphne Mohajer va Pesaran (PhD)
website: www.d-mvp.com
email: daphne.mohajer.va.pesaran@rmit.edu.au
social: @daphne_mvp & @_paper_clothes_
Designer, lecturer. I am the Program Manager of the Bachelor of Textiles (Design) and lecture in fashion design and research in The
School of Fashion and Textiles at RMIT University in Melbourne, Australia. I spent ten years living and working in
Tokyo, where I learned about many traditional crafts practices. I like collaborating and am interested in what
materials and relationships can emerge in communities of human and nonhuman people. In my research and design
practice I work with handmade Japanese paper and garments/products made from paper. I also work in storytelling
and documentation in various formats including film, drawing, text, audio, etc. and am currently undertaking research
fellowships for the British Museum and the Australian Museum to research the use of paper for clothing in Japan and
the Pacific Islands.
Jake Nakashima-Edwards
email: jake.naka@gmail.com
social: @smiling.at.dogs
Designer. I am a graduate of the Fashion Design program at RMIT University, based in Naarm (Melbourne), Australia. I
am interested in how fashion intersects with politics, capital, and the environment. My current practice
is centred around washi paper as a textile, and the connections this material has with people, culture, and nature.
Everything we sell is designed and made in our studio in Naarm (colonial name Melbourne, Australia). We acknowldege that the land on which we work and learn was never ceded from it’s traditional custodians, the people of the Woi wurrung and Boon wurrung language groups of the Eastern Kulin Nations.
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2023
SPECIAL PROJECT TBA
WORKSHOP Making Paper Cloth ︎︎︎ Craft Victoria x Melbourne Fashion Festival, Cultural Program
EXHIBITION NO THINGS ︎︎︎ _matters x Melbourne Design Week
EXHIBITION Vessel, Cloth & Cloak ︎︎︎ Australian Tapestry Workshop x Melbourne Design Week
2022
AWARD Creative Victoria Creators Fund Grantee
RESIDENCY Makers-in-Residence ︎︎︎ Craft Contemporary x Craft Victoria
WORKSHOP Making Paper Cloth ︎︎︎ Craft Contemporary x Craft Victoria
2021
WORKSHOP Stationary/Stationery: A Paper Clothes Making Workshop” ︎︎︎ Mpavilion (With artist Beatrice Wharldall)
SYMPOSIUM “Against Durability: A Wardrobe Made of Paper” ︎︎︎ IFFTI Conference
AWARD Finalist, Fashion Design Category ︎︎︎ Victorian Premier Design Awards
RESIDENCY Artisans-in-residence ︎︎︎ STHBNK by Beulah
2020
EXHIBITION “Coat of Theseus” ︎︎︎ Future Prototyping Exhibition
SYMPOSIUM “Kamiko Bomber” ︎︎︎ Contemporary Fashion Practices
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Daphne Mohajer va Pesaran (PhD)
website: www.d-mvp.com
email: daphne.mohajer.va.pesaran@rmit.edu.au
social: @daphne_mvp & @_paper_clothes_
Designer, lecturer. I am the Program Manager of the Bachelor of Textiles (Design) and lecture in fashion design and research in The School of Fashion and Textiles at RMIT University in Melbourne, Australia. I spent ten years living and working in Tokyo, where I learned about many traditional crafts practices. I like collaborating and am interested in what materials and relationships can emerge in communities of human and nonhuman people. In my research and design practice I work with handmade Japanese paper and garments/products made from paper. I also work in storytelling and documentation in various formats including film, drawing, text, audio, etc. and am currently undertaking research fellowships for the British Museum and the Australian Museum to research the use of paper for clothing in Japan and the Pacific Islands.
website: www.d-mvp.com
email: daphne.mohajer.va.pesaran@rmit.edu.au
social: @daphne_mvp & @_paper_clothes_
Designer, lecturer. I am the Program Manager of the Bachelor of Textiles (Design) and lecture in fashion design and research in The School of Fashion and Textiles at RMIT University in Melbourne, Australia. I spent ten years living and working in Tokyo, where I learned about many traditional crafts practices. I like collaborating and am interested in what materials and relationships can emerge in communities of human and nonhuman people. In my research and design practice I work with handmade Japanese paper and garments/products made from paper. I also work in storytelling and documentation in various formats including film, drawing, text, audio, etc. and am currently undertaking research fellowships for the British Museum and the Australian Museum to research the use of paper for clothing in Japan and the Pacific Islands.
Jake Nakashima-Edwards
email: jake.naka@gmail.com
social: @smiling.at.dogs
Designer. I am a graduate of the Fashion Design program at RMIT University, based in Naarm (Melbourne), Australia. I am interested in how fashion intersects with politics, capital, and the environment. My current practice is centred around washi paper as a textile, and the connections this material has with people, culture, and nature.
Everything we sell is designed and made in our studio in Naarm (colonial name Melbourne, Australia). We acknowldege that the land on which we work and learn was never ceded from it’s traditional custodians, the people of the Woi wurrung and Boon wurrung language groups of the Eastern Kulin Nations.
email: jake.naka@gmail.com
social: @smiling.at.dogs
Designer. I am a graduate of the Fashion Design program at RMIT University, based in Naarm (Melbourne), Australia. I am interested in how fashion intersects with politics, capital, and the environment. My current practice is centred around washi paper as a textile, and the connections this material has with people, culture, and nature.
Everything we sell is designed and made in our studio in Naarm (colonial name Melbourne, Australia). We acknowldege that the land on which we work and learn was never ceded from it’s traditional custodians, the people of the Woi wurrung and Boon wurrung language groups of the Eastern Kulin Nations.
